Awakenings
OPERA IN TWO ACTS
Libretto (Eng) by Aryeh Lev Stollman,
Based on the book by Dr. Oliver Sacks
A sensitive adaptation… Mr. Picker’s elegiac, autumnal score treads delicately in these stories of unrealized possibility...”
— Heidi Waleson, The Wall Street Journal
Details
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World Premiere: Opera Theatre of Saint Louis, June 5th, 2022
Commission: Opera Theatre of Saint Louis
Director: James Robinson
Duration: ca. 100’
Instrumentation: 2(2.pic).2.2(2.bcl).2-4.2.ttbn.btbn.1-timp-hp.pno(cel)-str
Vocal: For soprano, two mezzo-sopranos, 2 tenors, baritone, and bass, SATB chorus (12)
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Principal Characters:
DR. OLIVER SACKS, mid-30’s, a neurologist – Baritone
DR. PODSNAP, mid-50’s, medical director Beth Abraham – Bass
MR. RODRIGUEZ, early 30’s, nurse – Tenor
ROSE, early 60’s, (looks younger) patient – Soprano
MIRIAM H., mid-50’s, (looks younger) patient – Mezzo
LEONARD LEV, mid- 40’s, (looks younger) patient – Tenor
IRIS, 65-70, Leonard’s mother – Mezzo
Ensemble (12) – (SATB) comprising patients and hospital administrators, staff and the following characters:
RUTH – (social worker) – Soprano
LILY – (Miriam’s daughter) – Soprano
DR. SAMUEL SACKS (Sacks’ father) – Bass Baritone
DR. MURIEL ELSIE LANDAU (Sacks’ mother) – Contralto
MISS KOHL (speech therapist) – Soprano
FRANK (patient) – Tenor
LUCY (patient) – Mezzo
FIANCÉ (Rose’s) – Tenor
Supers:
VIOLET (Miriam’s granddaughter)
LEONARD (at ten years old)
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Synopsis
Awakenings is based on Dr. Oliver Sacks’ acclaimed 1973 book, which relates his astonishing work with victims of the great sleeping-sickness pandemic of 1916-1927, Encephalitis Lethargica. Although millions died during the pandemic, many thousands lived on to be left “frozen,” like living statues, often locked away in hospital wards, forgotten and “asleep.” In the late 1960s, Sacks recognized that real lives were trapped inside these forlorn bodies. By experimenting with the wonder drug L-DOPA used to treat Parkinson’s, he began to bring these patients back into being—real people who had lost decades of their lives.
Oliver Sacks and Tobias Picker
Fast Friends
Picker met Oliver Sacks at a dinner party in 1994. Picker, whose Tourette's went undiagnosed until he was in his thirties, was initially interested in Sacks' opinion of his symptoms. Soon, however, Picker and Sacks would become close friends (Read More).
Mutual Inspiration
Tobias Picker and Oliver Sacks’ respective artistic and scientific interests cross-polinated: Picker was fascinated by Sacks’ exhaustive empathy, winsome quirks, and whirring intellect, while Sacks was riveted by Picker’s preternatural focus, innovative musicianship, and Tourette Syndrome. Picker would become one of the subjects of Sack’s book Musicophilia.
Tobias Picker, the distinguished composer, also has Tourette’s. but when he is composing or playing the piano or conducting, his tics disappear. I have watched him as he sits almost motionless for hours, orchestrating one of his études for piano at his computer… Picker writes in every mode—the dreamy and tranquil no less than the violent and stormy—and moves from one mood to another with consummate ease.
Picker’s music was a constant inspiration to Sacks, as he wrote in the preface to his book Island of the Color Blind:
I owe a special debt to Tobias Picker's version of The Encantadas… whenever, in the writing, memory failed me, listening to the piece operated as a sort of Proustian mnemonic, transporting me back to the Marianas and the Carolines.
The Origins of Awakenings
After the premier of Picker’s An American Tragedy, Sacks wrote to Picker:
Dear Tobias…
I really think you have written a masterpiece … I could not think of the Music, the Drama and the Staging separately – they came together as a marvellous whole. It is easy to believe that it has demanded ten years of work, of your life… I cannot help wondering what will come next … (as a sort of creator myself) I know that one is always thinking, consciously or unconsciously, of new ideas, projects, etc. In particular, of course, I wonder if you have had any further thoughts about Awakenings.
Taking up the challenge, in 2010 Picker premiered the ballet “Awakenings” (choreography by Aletta Collins) with the renowned Rambert Dance Company; it toured widely, with nearly 80 performances throughout the UK.
Now, in 2022, Picker’s vision of Oliver Sacks and Awakenings reaches its greatest height with the premier of the opera, Awakenings. The opera further probes into the themes originally explored by the groundbreaking book: statuesque immobilization, locked-in secrets, and the poetic possibility of renewed life.
Press
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“As well-crafted musically as it is compassionate”
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“a sensitive adaptation… [whose] elegiac, autumnal score, with its eloquent writing for solo string players, treads delicately in these stories of unrealized possibility”
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“Awakenings score effectively mirrors the revived patients’ internal states as they grapple with a world both alien and familiar.”
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“Sacks is depicted as a kind of fairy-tale prince, restoring his catatonic patients to their previous states”
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“I’m just disappointed that Odyssey Opera and Boston Modern Orchestra Project only mounted one performance; had there been another, I would have been telling all my friends to see it”
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“Nearly every scene was poignant”